Machine Blanket Stitch Applique

Some time ago I posted a tutorial on http://sewwequilt.com/2011/06/felted-wool-giveasway.html showing a fused Blanket Stitch hand applique method for working with Felted Wool.
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Since I have heard that many quilters are afraid to try Applique; I thought today it might be of interest to follow up with an easy fusible Blanket Stitch machine applique method.

This method can be quickly done and looks great on almost any type of applique block such as this Sunbonnet Sue block pattern which was first published in the Kansas City Star in 1930.





Any applique pattern can be done in this method. Trace all the pieces in the design onto the paper side of the fusible web. Note: if the pattern is not symmetrical, you must make a mirror image of the pattern before tracing it onto the fusible web. It this is not done the pattern will be facing the opposite way to your origianal drawing.
I prefer a soft fusible web such as SoftFuse or HeatnBond Lite so that the appliques do not feel stiff or hard.


Rough cut out the shapes leaving approximately 1/4 inch around the shapes. If you prefer you can cut the paper out of the interior of larger shapes, as shown in the example of Sunbonnet Sue's sleeve shape which is shown below. This leaves the shapes softer and more flexible.

Iron the fusible web shapes onto the wrong side of your chosen fabrics following the instructions that come with the brand of fusilbe web that you are using.

Let the shapes cool and then cut them out directly along the traced
lines--except remember to leave the 1/4 inch if there is a place where one shape tucks under another. Remove the paper and place the shapes onto your background block. Using a Teflon pressing sheet helps you easily position the applique shapes and fuse them together before placing them on your background block. It also helps prevent any fusible from getting on your iron. Press the shapes in place onto your background block following the pressing directions that come with your brand of fusible web.







Traditionally this type of applique was done over the raw edge as curved edges do not fray very much and the blanket stitch encloses the edge providing a seam finish. Often black thread was used to give an outline to the shapes; but a matching thread can also be used as shown on the Heart blocks on the right.


Sometimes it helps to use a stabilizer behind the background fabric as shown on the Heart block on the upper left. If you lightly starch the background fabric this may not be necessary. If your work starts to pucker, place some tissue paper or a light weight stabilizer behind the applique shapes before doing the stitching.




Use a machine open toe embroidery foot so that you can see clearly where you are stitching. Use either cotton machine embroidery thread 60/2 or just regular 50 weight cotton thread in both the top and in the bobbin. A machine quilting needle 75/11 or a machine embroidery needle 75/11 work well for the stitching.



Choose a Blanket Stitch selection--I used # 26 on your machine. Loosen the top tension (use a smaller number--I used 2.6 for my sample)so that no bobbin thread shows on the top.

Adjust the length and width of the stitch to your preference--make a sample and record the settings that you used, so that you can refer to them at a later time.






Stitch any underneath pieces first so that beginnings and endings can be hidden underneath the top pieces.

The needle should just brush the cut edge of the shape being appliqued as you sew. The bite should be wide enough to hold the fabric securely and prevent fraying. Sewing slowly helps you keep your stitches lined up neatly along the cut edge.

Outside corners should be done manually by turning the hand wheel so that there are three stitches at the corner with all stitches meeting in the same inside needle hole. One stitch will be just before the corner, the middle stitch will go diagonally into the corner, and the third stitch will be just after the corner.

An indent should also be done manually in the same manner so that one stitch is right at the indent. Loosening the pressure on your machine foot with help you turn the block more easily; or if you have a pressure foot lifter (see below) this makes the stitching easier as you do not have to lift the pressure foot by hand each time you change direction. You press your knee against this lifter and it will raise the pressue foot so you do not have to take your hands away from your stitching area.

Choosing the "needle down" position makes the needle stay in place when you stop and have to change direction. Pull the threads to the wrong side and tie them.



When all the stitching is completed; if you have used a stabilizer, tear this away from the back of the block. Make sure all thread ends are tied and clipped closely so that they will not shadow through to the front. Press carefully using steam.

Please leave your contact information if you have any questions concerning this tutorial.



Alzheimer Raffle Quilt from Auckland

Dear Rosemary


Here is our finished quilt! It looks absolutely stunning, and a real community effort.

The Auckland Patchworkers and Quilters Guild makes a quilt every year to be raffled with the proceeds to go to a chosen charity; selling of the tickets culminates at our annual "Calico Christmas" quilt show in the first week in November where the quilt is always featured as part of the display.

This year we decided on blue and white, with our chosen charity as Alzheimers Auckland, whose logo of course is "Forget-me-not" with those colours, so our choice of quilt is perfect! .. Like other places around the world, New Zealand has an ageing population and there are over 40,000 people with dementia of some kind in the country, more than 10,000 of them in Auckland, our largest city.

Seventeen different people hand-appliquéd the 20 blocks, two others assembled the quilt; it was professionally machine quilted by another of our members and the binding done by yet another. These lovely people come from "all over" so its not been possible to assemble them all for a photo-shoot I'm afraid. We have just started selling the 2500 tickets, and I'm very hopeful we will sell all of them, particularly as Alzheimers Auckland is holding a big Quiz Night fundraiser in September and will be promoting ticket sales there too.

Thank you again for allowing us to use your designs. They are perfect for our purpose - so stylish and very up to date, but also so traditional - we know from previous raffle-ticket-selling experience that "traditional" is good! And I think all our hand-workers enjoyed their stitching. I know I have enjoyed organising it and am very proud of our result!

Yours sincerely

Elizabeth Sadler

Raffle Organiser,

Auckland Patchworkers and Quilters Guild Inc.

Welcome To My Studio



My "studio" is actually my basement! LOL
It is a nice bright space and I feel very lucky to have it. I can come down here and get away from the world and just enjoy being creative--what a freeing experience!
This is my Janome 1600P which I like to use for free motion quilting. Here I am machine quilting my Canadiana Rose quilt.



Here are some of the ribbons I have won over the years. In the past I didn't enter my quilts in many contests as I was afraid of having my quilts lost or damaged during transit; but my quilt appraiser advised me that quilts are more valuable if they have won ribbons so I have started to enter a few more contests. Ribbons are nice but I always feel that more important is the satisfaction that you get when you complete something beautiful. I try to only compete with myself and try to learn something new with each quilt that I make.



Writing my books and designing my patterns has given me a lot of satisfaction.
It is probably the hardest thing for me to do and causes me a lot of stress sometimes but when I see the end result it seems all worthwhile.



This is my computer corner where I prepare my lesson plans, class handouts, patterns, and books. Unfortunately I find I'm here more than I am at my sewing machines.



Here is the newest addition to my sewing machine collection. I'm enjoying learning how to use my HQ18 midarm sewing machine. It's a bit harder to learn than I thought it would be. As I quilt on it, I keep thinking about the words of the song "I'm not perfect but I'm still trying."

Thanks for dropping by!

Marking a Quilting Pattern with Press'n Seal

Sometimes it is difficult to see through a very thick fabric such as felted wool or a quilt that has already been sandwiched with the batting and backing. This makes tracing a quilting pattern onto the quilt very difficult. Using Press'n Seal (which is available in the grocery) simplifies this process.




First trace the quilting pattern onto the Press'n Seal with a fine tip permenant marker such as Pigma Pen size .05 and let the ink dry.




Then place this traced pattern onto the quilt in the desired location and finger press in place. Lower the feed dogs on your machine and use a darning foot to free motion quilt along all the lines of the quilting pattern.




After all the stitching has been finished; tear away the Press'n Seal leaving only the stitched quilting. In this photo I have started to remove some of the Press'n Seal. I use my fingernail to scratch at the Press'n Seal or sometimes I use tweezers to help pull off the pieces of the Press'n Seal.

Please leave me a comment if you find this technique helpful. Let me know if there is another technique you would like to see featured.

This post is a followup to my Felted Wool Applique tutorial posted on June 9, 2011 at http://stashmanicure.blogspot.com This was a very popular tutorial with 133 comments posted so far. Thanks everyone!

Mother's Day Quiz

Who was this famous Mother?

1. Down the ages, told or sung,

Her rhymes delight the very young.



2. Fine old dame of visage glum,

Who knows the artist knows his mom.



3. Labouring in slums obscure,

Mothering a thousand poor.



4. Produced by this famed dowager,

One president, two senators.



5. Grandma proved it's none to late,

To gain renown with brush and paint.


Bet you can guess them all!